Sri Siddhivinayak Temple ( Mumbai, Maharashtra)

Shri Siddhivinayak Temple situated in holy land of Maharashtra Mahim east near by railway station. The siddhi vinayak has its own speciallity. In 1987 the vision came from lord Ganapathi in to the heart of Shri Chellappa and today we see a holy construction consist of different idols and lords.Shri Chellappa initiated the process of converting his earnings in to construction of the temple and the contribution from wellwishers. He was not even able to afford stay but still he had the vision for constructing a raja gopuram for siddhi vinayak.

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The special visit made by Shri-Muruga Kirubananda Warier in 1996-repeated visit by Kanchipuram Periyar Shri Jayendra Saraswathi Swamigal during 1998-2000. Thiruvaarkadu Ramada’s Swamigal, Jayaendra Saraswathi chaired the Kumbhabishegam, Madurai Thiru Moorthi Siththar in 2006 laid the Dhakshinamoorthi statue in the presence of all these personalities increased the holiness of the temple.

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The temple carries four times routine pooja daily and on Tuesday and Friday during the rahu kala pooja for durga devi, special god message is passed by an devotee, thiru vilaku pooja, shankada chathoordhi special pooja and annadanams are followed as per the need, Ganesh Chaturthi, Iyyappa Mandala pooja, Hanuman Jayanthi, Navrathri Vijayam, Mahashivrathri,Nagapanchami,Thai Poosam,Vaikasi Visakam,Shani Peyarchi & Guru Peyarchi are specially celebrated.

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The temple is built in Dravidian architectural style. The temple posse’s vast courtyards spacious hall and sculptural pillars with cement. The garba graham is made with enshrining big sized black granite idol of lord sddhi ,budhi ,sameja vinayaga with mouse. several mandaps are installed with adorable deities like durga devi,lord hanuman placing on the left valli deivanai, sameda Subramanian and on right lord Ayyappan made of five metal idol like the idol of the sabari malai. The rules and regulation underlines the principles of Sabarimalai Idol .

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Lord dhakshina moorthi (guru bagwan) takes his place on the right side of lord iyyappa. In the back of vinayagar garba graha lord shiva, lord nagarajar and nagamma shiva linga is place under the pimple tree. Navgrihas are placed in the right side of the temple attracting devotees from all over the places with several devotional activities conducted throughout the year for all the dieties.

The temple top is constructed with raja gopuram at a height of 45 feet from the ground sculptured with 80 dolls of deities in gopuram rajagopuram are the special treat for eyes, 19 feet cement idols of hanuman also reminds the history of Ramayana mentioning the war in Srilanka on the Rajagopuram. Raja Gopurams is the biggest structure built for Ganesh Temple in Dharavi Mumbai with southern architectural style.

Sun Temple – konark( Orissa )

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Konark (or Konarak) is a small town in the state of Orissa, India, on the Bay of Bengal, sixty-five kilometres from Bhubaneswar. Konark is the site of the 13th-century Sun Temple (also known as the Black Pagoda), built in black granite by King Narasimhadeva. The temple is one of the most important Brahman sanctuaries, and is a world heritage site. It takes the form of the chariot of Surya, the sun god, and is heavily decorated with stone carving.

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The roof of the jagamohana, made of horizontal tiers grouped in three stages with life-size female sculptures of matchless charm and delicacy adorning each stage, the whole surmounted by two stupendous crowning members, produces a picturesque contrast of light and shade and is unparalleled for its grandeur and structural propriety. Majestic in conception, this temple is indeed one of the sublimest Monuments of India, notable as much for its imposing dimensions and faultless proportions as for the harmonious integration of architectural grandeur with plastic elegance.

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The temple is now partly in ruins, and a collection of its sculptures is housed in the Sun Temple Museum, which is run by the Archaeological Survey of India. The poet Rabindranath Tagore wrote of Konark: “here the language of stone surpasses the language of man”. Konark is also home to an annual dance festival, held every December, devoted to classical Indian dance forms, including the traditional classical dance of Orissa, odissi.

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Built in the 13th century, it was conceived as a gigantic solar chariot with 12 pairs of exquisitely-ornamented wheels dragged by seven rearing horses. The temple comprised a sanctum with a lofty (presumably over 68 m. high) sikhara, a jagamohana (30. m. square and 30. m. high) and a detached nata-mandira (hall of dance) in the same axis, besides numerous subsidiary shrines. The sanctum and the nata-mandira have lost their roof. The nata-mandira exhibits a more balanced architectural design than that of other Orissan temples. The sanctum displays superb images of the Sun-god in the three projections which are treated as miniature shrines. The sanctum and the jagamohana together stand on a common platform studded with an intricate wealth of decorative ornaments and sculptures, often of a highly erotic type.

Khajuraho Temples

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The popular Khajuraho temple is situated in Madhya Pradesh. Khajuraho is a fascinating village with a quaint, rural ambience and a rich cultural heritage. The Khajuraho temples are internationally famous for the erotic sculptures that adorn the walls.

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Khajuraho, the ancient “Kharjjuravahaka”, was the main seat of authority of the Chandela rulers who accentuated the place with sculptural art and architectural marvel. The Chandela dynasty built eighty-five temples here. The Khajuraho village surrounded by the mountains of Chatarpur district of Madhya Pradesh is 395 Km southeast of Agra. Originally there were 85 temples, of which only 22 still exist, which give us a glimpse of a golden time of art and devotion at their peak. Out of 22 temples, two were made from sandstone. The stone blocks were first carved and then the interlocking pieces were assembled to form a temple. Each temple is different from one another.

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Khajuraho temples were constructed between 950 and 1050 A.D., amazingly short span of 100 years. During the reign of Chandel Empire. Khajuraho derives its name from the Khajur tree (the date palm tree) which can be found in abundance in the area. These temples are considered the “high point” of Indian architectural genius in the Medieval period. With the wane of the Chandela empire, these magnificent temples lay neglected, and vulnerable to the ravages of Nature. It was only in this century, that they were rediscovered, restored and granted the recognition that they justly deserve.

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The murals depict the life and times of the Chandelas, and celebrate the erotic state of being. They not only testify to the mastery of the craftsman, but also to the extraordinary breadth of vision of the Chandela Rajputs under whose reign, these temples were constructed. Their style of architecture was also rather peculiar to their times. Each structure stands on a high masonry platform with a distinct upward direction to their build, further enhanced by several vertical projections to simulate the effect of an overall lightness. The three main compartments are the entrance (ardhamandapa), assembly hall (mandapa), and the actual sanctum (garbha griha). The temples are grouped into three geographical divisions : western, eastern and southern.

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The creators of Khajuraho claimed descent from the moon. The legend that describes the origin of this great dynasty is a fascinating one : Hemavati, the beautiful young daughter of a Brahmin priest was seduced by the moon god while bathing in the Rati one evening. The child born of this union between a mortal and a god was a son, Chandravarman. Harassed by society, the unwed mother sought refuge in the dense forest of Central India where she was both mother and guru to her young son. The boy grew up to found the great Chandela dynasty. When he was established as a ruler, he had a dream-visitation from his mother, who implored him to build temples that would reveal human passions, and in doing so bring about a realization of the emptiness of human desire. Chandravarman began the construction of the first of the temples, successive rulers added to the fast growing complex.